Showing posts with label Drumsticks Gripping. Show all posts
Showing posts with label Drumsticks Gripping. Show all posts

Tuesday, 16 July 2019

5 Mistakes drummers make that can cause Injuries


No one should be hurting themselves in the name of practice. Yes, you should practice hard and practice daily but not at the expense of your health. A bad habit can be very bad for your own growth as a musician. So, let us talk about few mistakes that drummers make while practicing their instrument.

1. Incorrect Playing Posture
This is the most basic and the very fundamental thing that you are taught when you start your drum lessons. However, as sessions go by, it can be seen that a lot of students don’t pay attention to their posture. Sitting straight is very important as a bent back puts a lot of pressure on your spine. This can lead to back pain – something you don’t want to experience as an amateur musician. So, get your posture right and be conscious of holding the right posture for some time until it becomes second nature to you.

2. Incorrect Drumkit Setup:
As a drummer, you should know how your drum kit setup should be. The most important thing to keep in mind is that you should be able reach all the parts of your drum kit. You should not be stretching or straining to reach any part of your kit. Extending your shoulders constantly can cause muscle strain and injury to the joints. You should feel relaxed when you are practicing on your drums and this will ensure you get the most out of your time and commitment to the practice sessions.



3. Rushing or Skipping your Warm-Up Exercises:
A lot of students rush through (or even skip) doing their warm-up exercises in class and at home during practice. This is really wrong because every exercise is fundamental and important to the core skills you are building as a drummer. The techniques you are taught are very important for your growth as a musician. If you rush through the exercises or even try playing the exercises in a higher tempo without understanding the technique and proper process of executing them, you will end up training the wrong muscles or even stress and injure them. Thus, take every exercise slow and only advance further once you have a comfortable command over the techniques you are trying to learn.

4. Wrong Drum Accessories:
It is very important that you have the essential materials to play drums. Different individual will have different needs according to the style of play. If you are someone who strikes the drum softly, then you should get lighter sticks. Similarly, if you are a hard hitter, then get a thicker set of sticks. The reason is that if you are a hard hitter and you are using a thinner stick, you would have to hit it even harder to get the sound that you could achieve with a thick stick  - instead it will put extra strain on your muscle and could lead to injury.

5. Wrong Techniques:
Yes, don’t stomp your pedal. Learn the right technique to play the pedals on the drums. Unnecessary stomping will only cause injury to your knee which is really avoidable if you use the right technique. Also, to play beats faster, you have to understand that you cannot achieve that speed with the hand, you have to use your wrist because it gives you more flexibility. Using your whole hand to play fast will stiffen and could injure your arm muscles. Using the wrist will ensure that you get the speed without putting too much pressure on your arm.




BlueTimbre is a unique Music Company that provides Music Education and  Recording Studio services. BlueTimbre also works with schools to provide end-to-end Music Education solutions for schools. 


The BlueTimbre team comes with decades of cumulative experience in running Structured Businesses, Music Curriculum Development, Music Education and Performance.


Tuesday, 21 March 2017

How to Hold Drumsticks Correctly



The most important technique a drummer must understand, is how to hold the drumsticks. Drum stick grip is very important and many drummers still fail to hold the drum sticks correctly. When holding the sticks correctly you are able to have maximum control over guiding your hands and striking your drum set correctly. The better grip you have the better output you will have in how your drums will push out sound. The quicker you learn how to hold the drum sticks the quicker you will learn to play the drums and soon you’ll be on your way to rolling the drum sticks in your hands like a pro!
                                                            
To help understand the various methods that are popular, we have compiled information from two useful articles.

Article 1: Learn How to Hold Drumsticks


The most popular style is the Matched Grip. With this, both hands hold the stick the same way. Matched grip is very popular with all styles of drumming, and can be applied in more than just the drum kit. Timpani, mallets, and other percussion instruments use the matched grip as well. It allows for fast movement around the kit, and offers maximum control. This grip is played with your palms facing downward. Make sure you do not grip the stick too tightly, or you will limit its’ rebound. It is debated which finger is used to grip the stick. Some will use their thumb and index finger; others will use their thumb and middle finger. Both are fine, as long as you chose one early and stick to it!

The next grip we will look at is called the Traditional Grip. You may see a lot of jazz drummers using this style, for it is extremely popular with that style. With this, you hold the stick with your palms facing up, gripping the stick from underneath. This gives you a whole new feel of the stick. It allows for quick strokes, and better dynamic control; Perfect for brushes and brooms. One problem with this grip is moving it around the drum kit. With a bigger drum kit, you may find it hard to move quickly around the toms, and with the angle of the stick in your hands, hitting cymbals can be tricky.



Article 2: The Very Important Correctly Gripping Drum Sticks

There is a few different type of drum stick grips. All drum stick grips differ from each other depending on the angle and degree of rotation. Typically you have an Germanian Grip, an American Grip and a French Grip
Germanian Grip is also very common for rock drumming and corps drumming. It involves holding your stick at the fulcrum point (balance point) with your thumb and index finger. What makes this grip unique is the angle in which you play with your sticks. Place your sticks on the snare drum, and try to make a 90 degree angle with them. When you find this angle, you will notice your elbows may point out a little.
American Grip entails having your elbows out and your sticks at a 90 degree angle. You will notice your sticks cutting an angle down to 45 degrees or so. This is the most common style of drumming, mainly because it feels the most comfortable. This grip is very common for rock drumming and corps drumming.
French Grip is different from American and Germanian grips. Let your arms relax and bring your sticks together so they are almost parallel. The French grip is different because the way you are holding your sticks changes from palms down, to palms up. This means you can achieve more speed by using your fingers. The only down side to this is the lack of power you will get from your strokes.
Summary
Be sure to try out every one of these techniques.  It is always good to learn all types of stick grips. Each grip is different and have their own benefits. Learning both matched grip and traditional grips will help you have better control and feel for the drum sticks. It will also better your performance when playing certain types of music or achieving certain types of songs as each type of grip achieves different types of sound when striking the drum. A great way to practice these different stick grips, is by incorporating them into your next drum practice.

BlueTimbre is a Music hub with Music Education spaces, Jam Room and Recording studio located in India. BlueTimbre provides complete end-to-end Music Education solutions for schools. BlueTimbre management team comes with a decades of cumulative experience in running structured businesses, music curriculum development, music education and performance.



Sources: